Clearly this track is loved by Illenium listeners it was the last to be promoted prior to the release of “Fallen Embers”, yet it still has over five million global streams. When referring to the lyrics like “You can let go if you want/ ‘Cause I’ll love you all the same”, Illenium expressed how ‘they are just so clever and honest and I love it”. When the drop does come, it’s a heavy guitar that furtherly emphasises the percussion in creating a more thundering sound. The song is much more progressive as the entire first half is much softer, the climax not until the last chorus.

I thought that Maeson was a good pick for this track, the instrumentation adding perfect texture to his vocals. Leading on from that is “Heavenly Side” featuring Matt Maeson that opts for whimsical keys, vibrant percussion, and melancholic riffs. It’s quite a good competitor to “Reverie” which was released in 2016 and is a great start to the album. Just lie to me, say you found someone else, so I don’t blame myself.” Written by Emily Warren, the tune shares a level of vulnerability about the painful ending of a relationship and the drop blends everything that Illenium is about and what I love most about his records. Kelly’s voice fits seamlessly with the instrumentation underneath as she sings lyrics such as “Lie to me, it would help. Illenium wastes no time accessing our emotions as he kicks off with a gentle guitar and power piano chords. By then releasing his newest album on July 16 th, Miller has symbolised the restorative powers that the phoenix possesses in what creates this new phase of “Fallen Embers”.įirst up on the track list is “Blame Myself” featuring Grammy-winning singer Tori Kelly.

The glorious phoenix that stands in for the ‘N’ in Illenium is there as a symbol of Miller’s addiction in which he has risen from the ashes, awoken and ascended. Originally a trilogy, the albums preceded to symbolise the rise, growth and rebirth in the phoenix’s (Miller’s) journey. Following on from “Ashes”, “Awake” and “Ascend”, this next chapter of the phoenix is one of healing – a common theme amongst the industry given the pandemic. It’s a brilliant format for an immersive involvement that connects you deeper to the artist, and this is something that Illenium executes impeccably.įurtherly, while “Fallen Embers” does not explicitly contain the ‘intro’ and ‘outro’ structure, there is still something about this album that makes it one of Illenium’s best to date.

This, however, insists that a listener goes through the release track by track thus enhancing the way we listen to new music. I love an album that has intros, interludes, preludes, epilogues etc., and as our digitised days continue to progress, we no longer feel obliged to hear a whole album from cover to cover. His previous album “Ascend” was revolutionary in its format and delivery, each song transitioning flawlessly into one another so that it was no longer an album but an experience. Although his music can follow the clichés of EDM, his compositions showcase a more raw and passionate expression that is a little darker and more dynamic in style. What places Illenium apart from that of other EDM producers is the surprisingly emotional aspect of his music. I have been a longstanding fan of Illenium as he remains my all-time favourite electronic dance music (EDM) artist and producer. With his fourth studio album, Nick Miller (professionally known as Illenium) embarks on a new chapter of his career with his recent release “Fallen Embers”. It’s the beginning of a new chapter for a lot of artists and this summer’s setlist is going to be a spectacular one.

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